Solfège

Learning the Violoncello

What a Cellist Can Learn at a Piano Masterclass

This past Sunday we capped our weekend in Kansas City by attending a piano masterclass given by Stansilav Ioudenitch. I have been to several piano masterclasses with Sibylle and I always learn something even though I am not a pianist. Yesterday’s class was no exception. Here are my notes.

  • Play slower – let the audience hear all the notes. Be aware of the accompaniment
  • Use shoulder weight to increase volume
  • Extend phrases across bar / measure
  • Rebound off notes – feel the weight moving through the note
  • Playing with more expression doesn’t mean more attack - it means more lyrical
  • Don’t rush through passages, even if they are at a fast(er) tempo
  • Resolve technical problems through expression
  • Be aware of conversation between solo and accompaniment, whether it is just a piano or an orchestra
  • Orchestra accompaniment is like the Titanic – big and powerful – and unable to react to the soloist. Piano accompaniment can and will react to solo
  • Performer’s thoughts/emotion will come through in the music. Change your emotion to color the music differently
  • Interplay between solo and orchestra or second piano is key
  • When developing phrasing think about how a singer would perform the melody
  • Technical passages should be played virtuosically yes, but also musically
  • Be relaxed – flexible – no extra weight or tension in body
  • Make short notes longer to increase expression
  • Body motion – elegant body motion – will make elegant music
  • Play with no extra motion, don’t waste energy

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